Project Spotlight

Dawn (2014, short drama)
Directed by Rose McGowan
Starring Tara Barr, Reiley McClendon and Hannah Marks

"Dawn is really about what we do to young girls unwittingly, and how we send them out into the world completely unprotected, in a way that has, at times, really tragic consequences. Being polite at the risk of your own internal voice of danger being silenced is a pretty dangerous thing."



Archive for the ‘News & Rumors’ Category

News & Rumors
Article written on September 6, 2015 by Mycah & Riikkae-mail

We want to wish Rose McGowan a very Happy Birthday! September 5 marks Rose’s 42nd birthday, and we are more proud of her than ever before with her steadfast determination in bringing about change, not just in Hollywood but throughout the world. A true leader and artistic visionary. 🙂

Onwards and upwards Rose, keep shining!


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Articles Gallery Media Alerts
Article written on August 30, 2015 by Mycahe-mail

Rose McGowan knows three versions of herself through and through: the woman she is, the woman you thought of her as, and the woman she’s becoming. The former is a staunch feminist, articulate and no-holds barred. The latter is a filmmaker with what many are finding to be surprising depth and vision. It’s that middle one—that pesky version that for years shaded McGowan in every color but gray. That’s the one she ran away from seven years ago, that’s the one that she’s making sure never comes back.

We speak the day after the Golden Globes, which she was slated to attend until her body went into what she calls a “psychosomatic seizure” that debilitated her. Considering the alternative—hobnobbing with industry elite and foreign press members—it seems she may have gotten the better end of the stick.

“It just all feels like a scene in a movie that you’ve been in so many times, you forget why you keep going,” McGowan says. “It becomes about, ‘why did you cut your hair?’ Why the fuck not? How about that?”

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Articles Media Alerts News & Rumors
Article written on August 24, 2015 by Mycahe-mail

Tired of Hollywood’s misogynistic attitudes towards female actors, Rose McGowan has quit acting to make films that tell women’s stories.

As her debut short-film Dawn, is set to be released on June 21st on YouTube we met with Rose McGowan and discussed her new vocation as a film director, the story behind her upcoming first feature film The Pines, and her escape from Hollywood’s status quo of misogyny. And as it turns out, her new professional journey is far more personal than one could imagine.

First things first, let’s discuss your short-film debut, Dawn, the tragedy of a teenage girl…
Dawn is about growing up as a young woman in the 60s, experiencing first love and femininity, but it is also about asking what happens when we as a society, with maternal influences, bind our daughter’s hands? How we give them no defense mechanism at all-we only say ‘no, you can’t do this’, without explaining why. But it also questions the idea of masculinity, the two men that Dawn idolises are Robert Hunter and Rock Hudson, now known as gay actors, but at the time, they would have been her teenage dream. I also wanted to question class disparity by putting an emphasis on the material contrast between the working class and the middle class–for example, the condition of Dawn’s family car which is brand new, versus the boy’s car, who works at a gas station, which is much older. I say a lot without having to hit anybody over the head. So it’s not a coming-of-age story per se, it’s rather a cautionary tale.

What about the casting, how did you chose your actors?
I didn’t want anybody to look like an actor from L.A. I got Tara Barr to play Dawn, her face doesn’t have this innocent baby-fat anymore. As for the male lead role, I was looking for somebody who could embody a paedophile, a victimiser, a manipulator capable of gently scrambling Dawn’s brain.

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Articles Gallery Media Alerts
Article written on August 24, 2015 by Mycahe-mail

I’m going to tell you about the Nine Lives of Rose McGowan. They’re lives of intersection, lives of expression, lives occasionally glazed with death, the macabre, the dying. They’re lives of spotlight, scrutiny, sex, and longing. They’re lives not yet lived, and lives long forgotten.

Rose McGowan is drinking tequila with muddled jalapeños, her shoulders exposed from a white dress to a balmy Santa Ana breeze atop a boutique hotel in Hollywood, her hair cut short in a punishing bob. Our opening exchange is taut and tense, warm and nuanced, marked as much by polarity as the subsequent conversation that follows. To wit: McGowan’s digesting today’s closure of the agency that currently represents her for acting, Resolution, run by former ICM chairman, Jeff Berg, while enjoying a declaratively charmed review of her directorial debut, Dawn, by The New York Times.

Life, in this moment now, is moving like a current through McGowan, knotted up and ready to incite something, anything. It’s when she laughs—as she’ll do while chewing on ideas of art, fame, sex, expectation, power, and spiritual renewal—that this is most evident. It’s a stage laugh, capable of rattling the nosebleeds, almost superhuman.

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Articles Gallery Media Alerts
Article written on August 24, 2015 by Mycahe-mail


Rose McGowan does not follow the typical blueprint for Hollywood starlets. Her silent-siren beauty aside, the outspoken actress drives faster than most men we know and scarfed down eggs, bacon, and biscuits before our photo shoot. McGowan is someone who genuinely does what she wants, and doesn’t sugarcoat or falsify her intentions. As an actress, McGowan has established herself as a cult icon, with roles in fanboy favorites like Scream, Grindhouse, and the TV showCharmed. But her latest role is as filmmaker, with her directorial debut, Dawn, debuting last January at the Sundance Film Festival. A short film about girl culture in the 1960s, Dawn is McGowan’s purest attempt at expressing her artistic vision. We spoke to her recently about this new chapter in her career.

Can you describe the world that Dawn has been exposed to and how that relates to the feminist undertones in the film?
Setting Dawn in 1961 allowed me to examine the pretty straight jacket that girls were raised to exist in. The post-war ideal of femininity both fascinates and horrifies me. I realized I could say a lot about that by making a study of Dawn’s repression.

How do you feel that your experience as an actress in Hollywood has influenced your transition into directing- specifically regarding the projects you’ll take on?
Everything relates. It’s a special trick of the mind to think that we are only allowed to be or do one thing. Acting is an art, but I wasn’t feeling like an artist. To be a frustrated artist is a special kind of torture. I am now very comfortable having my own voice. I know what I will and won’t do as a director and I learned that from being an actress. Read the full article »


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